


Composer Max Richter’s piece 'On The Nature of Daylight' was the starting point for this series of paintings. A saturation of gold is separated from, but shares the stage with, a deep dive into blues and greens. The underneath surface texture holds each piece together.
Gesso, Gilding Rub, Acrylic Ink, Gold Powder Pigment and Metallic Foil on Paper.
18.7 x 18.7cms
2026
Framed, 21 x 21cms
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